Michael jackson man in the mirror mix
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#Michael jackson man in the mirror mix movie#
Quincy and I first worked together with Michael Jackson on the movie The Wiz.
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He studied orchestration in Paris with Nadia Boulanger, who also taught people like Ravel, and Quincy was a star pupil. "Quincy is so musical it hurts, and his knowledge is so complete. "Do you know how fortunate I am to have worked with Quincy?” asks Bruce Swedien. His place as the young engineer's musical mentor, however, was quickly filled by up‑and‑coming composer, arranger, and producer Quincy Jones. Go see what it sounds like in the studio and listen to the music.' And I still love doing that.” So Musical It HurtsĪ couple of years after Bruce Swedien joined Universal Studios, Bill Putnam headed out to California to build his studios there. whoa, what an experience! In particular, I remember him saying 'Don't just sit down here in the control room. Bill had me follow him around for quite a while before I really got started, but being with him was. The room itself was a musical instrument, it was so great, and I later did many, many big recordings there. Studio A was a huge room designed by Bill, and was just gorgeous. "Bill Putnam was the most gracious guy in life, and he took me under his wing,” Swedien recalls. By 1957, the 21‑year‑old was recording the Chicago Symphony Orchestra professionally for RCA Victor, before moving on to Universal Studios the following year, joining Bill Putnam in his pioneering experiments with early stereo and multitrack techniques. By the age of 14 he was spending his holidays recording all comers, and even set up his own radio station to broadcast the results to the neighbourhood! At 19 he'd already worked for Tommy Dorsey and was setting up his own commercial studio in an old cinema in his home town of Minneapolis. The only child of classically trained musicians, he not only received a solid musical education, but also unquestioning support when their 10th birthday gift to him, a disc‑recording machine, revealed the strength of his true vocation. As the man at the desk for Michael Jackson's Thriller, which has defended its best‑selling album status in the Guinness Book Of World Records for more than 25 years, there's no denying that he found himself in the right place at the right time, and there can have been few doors closed to him since, given a CV point like that! But if you look beyond the glare of Thriller's nine‑digit sales figures, it's clear that there's a whole lot more to Swedien's story than good fortune: although the first of his five Grammy awards came with Thriller, his records with Quincy Jones and George Benson had already garnered three nominations for Best Engineered Recording before that. In a rare interview, he lays bare the techniques behind some of the superstar's biggest hits.īruce Swedien considers himself a lucky man. For fans who love being behind the scenes or taking an alternate route, this is one definitive way to do so.Bruce Swedien at the Harrison console in Westlake Studios, in a photo taken during the mixing of Michael Jackson's Thriller.īruce Swedien has been the engineer of choice for Michael Jackson and his producer Quincy Jones, among many others. Notable are early versions of “Don’t Stop ’Til You Get Enough,” “Billie Jean,” and even a superior take on “We Are the World”-before all the celebrities walked into the room, with only Michael’s voice carrying the melody. The home demos, on the other hand, give aspiring musicians the chance to hear the processes that led to the polished final tracks. Considering Jackson’s impact in the clubs-where bodies brought out the physicality in his music that stationary radio listeners could only imagine-the remixes are as integral to Jackson’s legacy as the original versions. Here are 162 rarities from the "extras" that once graced Off the Wall, Thriller, Bad, The Ultimate Collection, and This Is It, along with the complete reissues of the albums Michael, Immortal, and Remixes, Rarities & Gems. Over the years, Michael Jackson’s classic albums were reissued in various editions that added rare demos, remixes, re-edits, and live versions for the hardcore fan to collect.